Urška Djukić
Urška Djukić (1986) graduated from the UNG School of Arts. Her short Bon Appétit, La Vie! received the Best Short Film Award at the 2016 FSF. In 2018, she was invited to participate at the SEE Factory, a joint project for young directors curated by the Directors’ Fortnight and the Sarajevo FF. In this context, she co-directed a short film The Right One that was presented at the 2019 Cannes IFF. In the same year, she was selected for the 39th Cinéfondation Residence, where she continued the development of her debut feature Little Trouble Girls.
Urška Djukić (1986) graduated from the UNG School of Arts. Her short Bon Appétit, La Vie! received the Best Short Film Award at the 2016 FSF. In 2018, she was invited to participate at the SEE Factory, a joint project for young directors curated by the Directors’ Fortnight and the Sarajevo FF. In this context, she co-directed a short film The Right One that was presented at the 2019 Cannes IFF. In the same year, she was selected for the 39th Cinéfondation Residence, where she continued the development of her debut feature Little Trouble Girls. By combining live-action, animation, and various forms of experimental techniques, Urška Djukić creates hybrid visual narratives and is especially focused on exploring topics related to contemporary womanhood.
| Awards | 4 awards |
|---|---|
| Organizations | DSR - Društvo slovenskih režiserjev |
Filmography (19)
Cast (1)
Direction (13)
Writing (12)
Editing (7)
Costume design (2)
Animation (1)
Production design (1)
Directing department (3)
Camera department (1)
Mentoring and Consulting colaboration (1)
Awards
Vesno za posebne dosežke podeljujemo tenkočutnemu animiranemu filmu Babičino seksualno življenje, ki prikaže kratek izlet v zgodovino intimnosti podeželske babice. Avtorica se teme loteva na angažiran in ironičen način, z enostavno in učinkovito risbo ter fotografijo. Gre za ganljivo dokumentarno pripoved s ščepcem satiričnega humorja. Posebni dosežek vidimo v domiselni strukturi filma in odličnem načinu pripovedovanja, ki subtilno razgrinja tabu temo naše polpretekle zgodovine.
Izbrani kratki film o poskusu odraščanja tridesetletnikov v nenavadnem in svežem slogu sledi mladi avtorski estetiki in v dovršeni izvedbi humor prepleta z navihanim družbenim komentarjem.