A Atalanta
- production company
A Atalanta is an independent film and television production company based in Ljubljana, Slovenia. Its owner and CEO is an international producer Branislav Srdić, who has more than 50 years of experience in the industry. He has worked on internationally successful and multi-award-winning films, such as: King Peter the First (2018), Distant Trumpet (2005), Falling to Paradise (2004), Dust (2000), Welcome to Sarajevo (1996), Around the World in 80 Days (1988), I Promessi Sposi (The Betrothed) (1988), Mama Lucia (Fortune of Pilgrim) (1987), Cross o
A Atalanta is an independent film and television production company based in Ljubljana, Slovenia. Its owner and CEO is an international producer Branislav Srdić, who has more than 50 years of experience in the industry. He has worked on internationally successful and multi-award-winning films, such as: King Peter the First (2018), Distant Trumpet (2005), Falling to Paradise (2004), Dust (2000), Welcome to Sarajevo (1996), Around the World in 80 Days (1988), I Promessi Sposi (The Betrothed) (1988), Mama Lucia (Fortune of Pilgrim) (1987), Cross of Iron (1977). Thanks to the company’s well-established presence and its own equipment rental house, it is in a position to deliver quick and quality full co-production services throughout the whole Balkan region.
Contacts
A ATALANTA filmska in video produkcija, distribucija in marketing, d.o.o.
Address | Korytkova ulica 34, Ljubljana, Ljubljana, Slovenia |
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Phone | +38614218620 |
info@aatalanta.si | |
Website | http://www.aatalanta.si |
Filmography (25)
production (23)
distribution (1)
technical services (1)
miscellaneous (1)
Awards
Because of the formal freshness and expressive power that characterize the story of an uncharacteristic sisterhood in a distinctly dialectical sociocultural context. A modern sisterhood that uncompromisingly overcomes conformism and traditional schemes and expresses a strong will to survive in a patriarchal society by formulating new rules and commandments.
This film delivers a refreshing portrayal of sisterhood through its bold filmmaking choices. The exquisitely composed sound score combined with stellar performances give context and power to female anger.
A short film can speak to the viewer as a fragment of a larger whole, or as a carefully crafted miniature. With Bits, the director Áron Horváth Botka managed to create a work that brilliantly demonstrates the full potential of the short format, thanks to compelling directorial and acting performance and an extraordinary emotional effect that is perfectly comparable to that of a feature-length drama. Bits is one of the short films where there is nothing to add or take away, a film that achieves its full potential exactly as it is.