Jaz sem Frenk
- Fiction Film
- 98' 15''
- 2019
- Slovenia, Croatia, North Macedonia, Serbia
- Basic info
- Galley
- Materials
- Episode
- Awards
- Screenings
- Archival footage
- Extended data
- Filming locations
- Trivia
- Contact the editors
Synopsis
An unexpected inheritance from their father sparks a dispute between Frank, a rebel who still swears by old socialist values, and his brother Brane, a classic transition profiteer. While Frank is tracking the source of money, which his late father, one of the key protagonists of the Slovenian independence, made through shady dealings, Brane wants to lay claim to it through his lawyers and a network of his father’s “cronies”, who would even resort to mafia tactics if need be. Brane’s wife Ines, who has, in fact, loved Frank all along, finds herself caught between the two brothers once more.
Director
Director's statement
The script was written because of Frank. Although merely a fictional character, the man almost literally knocked on my door one day. He did not beat around the bush, and he had a clear idea that I sho
The script was written because of Frank. Although merely a fictional character, the man almost literally knocked on my door one day. He did not beat around the bush, and he had a clear idea that I should make a film about him. Frankly, he was enveloped in the scent of alcohol and barroom stories. Even before I could express any doubts, he started talking about his brother, his father, his love, music as well as himself. He seduced me into believing him and writing down his stories…
Gallery (15)
Videos (1)
Materials
Dnevnik (1951- )
Cast
Credits order
Crew
Writing
Direction
Production
Cinematography
Music
Editing
Production design
Costume design
Make-up
Sound design
Directing department
Production department
Art department
Sound department
Visual effects
Camera department
Lighting department
Grip department
Costume department
Hair and Make-up department
Post production/editorial department
Music department
Tansportation department
Other
Organizations
production
distribution
technical services
support services
miscellaneous
Music
Awards
important awards
Minority co-production competition.
Iris 2019 V celovečernem filmu.
Screenings
Extended data
Greva v partizane (Slovenian) (working title)
Technical data
Arri Alexa XT Plus (ARRI Alexa XT Plus Pro)
Budget
All financial information is obtained from official sources. I.e. producers or organizations which provided the financial support.
Crnohumorne trilerske drame sa snažnom sociokritičkom notom jedna su od konstanti (nezavisne) američke kinematografije, no na ovim prostorima jedva da postoje, premda društvo post-tranzicije sa sumnjivim tajkunima i njihovim još sumnjivijim poslovima nudi materijala za takve filmove. Prepoznao je to Metod Pevec u filmu “Budimo iskreni“ i složio naizgled potentan složenac drame i trilera s nijansama crnog humora koje u krvavom finalu postaju i crvene. Žanrovi se neprimjetno miješaju, ulaze i izlaze jedan iz drugoga. Likovi su solidno razvijeni, filmski i ljudski, osobito protagonist koji se znade zagledati i pravo u kameru, kako ne bismo zaboravili da je “Budimo iskreni“ ipak film. Opisani ambijent je, pak, filmičan i stvaran, u njemu se zna zrcaliti i hrvatski svagdan. Da ovo ipak nije ponajprije samo slovenska priča koja će najviše rezonirati na domaćem tlu, tek onda u regiji ili šire, potvrđuje friški podatak kako je fond Eurimages odobrio Pevecovu projektu sredstva za sufinanciranje u iznosu od dvjesto tisuća eura, tj. angažman najveće slovenske zvijezde Katarine Čas (Scorseseov “Vuk s Wall Streeta“, “Danny Collins“ s Alom Pacinom) kao predvodnice glumačke ekipe.
Comitee: Žiga Virc, Katja Šoltes, Igor Pediček, Jaroslav Skrušny (alternate)
Comitee: Miha Hočevar, Jožica Šmid, Andrej Blatnik, Jože Dolmark (alternate)
Contact the editors
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