Rudar

tretja nagrada Živojina Žike Pavlovića hrvaško: Rediteljka Hanna Slak napravila je film u maniru uzbudljivog trilera. Zasnovana na istinitim događajima iz dva rata na našem podneblju ova potresna priča ukazuje na to da se tragični događaji nažalost ponavljaju.

Nagrada žirije MicroCosmo - žirija zapornikov iz Verone angleško: Faced with the truth, one cannot hide, in the historical evidence as in the individual experiences that determine it. Knowledge with awareness does not allow for loopholes, on pain of inner suffering; a need for pacification emerges even accepting the price of disadvantages in the immediate. It is a path that begins with recognition of the victims. They wait to be honored, recognized in their dignity. This film leads to linger on the unsolved matters carried inside for some time, both as individuals and as a community. We need to explore our own private wars in order to develop our conscience and put ourselves on the line to build peace: this is liberation. In Rudar, the father's sense of human and emotional responsibility is renewed and takes on new forms in the social commitment of a daughter. And right there, they recognize each other. The path of consciousness from interiority leads to constructive action, for a possible new beginning.

angleško: With a precise audiovisual language, El Minero is a work of great narrative rigor. Effective in its structure and with great testimonial value.

Posebna nagrada Casse Rurale Vallagarine za najboljši film o Alpah. angleško: From the bowels of the mountains emerge individual and collective stories that open up old wounds, in a land that has never dealt with its history. The mountain becomes a therapy for pain and a source of redemption.

V kategoriji celovečernih filmov.

Častna diploma nagrade za mir

Hana Slak je pretresljivo zgodbo o rudarju, ki se kot neke vrste novodobna Antigona bori za dostojen pokop žrtev povojnih pobojev, podala z izjemno mero pripovednega občutka. Njen film tako odlikujejo odličen ritem, spretna dramaturška konstrukcija, učinkovita raba glasbenih vložkov in seveda tudi delo z igralci, ki jim je brez velikih besed uspelo pokazati, da so mali posamezniki praviloma največji ljudje.

Vlado Gojun je s svojo občuteno montažo različne vsebinske poudarke, ki so značilni za film Rudar, sestavil v tekočo, ne pa tudi povsem gladko celoto. Ker je v jedru pripovedi eksistencialni nemir glavnega junaka, je namreč Gojun nekaj tega nemira z občasnimi ostrejšimi rezi ohranil tudi na ravni forme in na ta način dosegel, da film zveni tako v globino kot v širino.

Leon Lučev je s svojo večplastno interpretacijo oblikoval izjemno prepričljiv lik rudarja Alije. Lučev nas zadržano, naravno in minimalistično, ko pa to vloga zahteva, tudi eksplozivno potegne globoko v Alijeva stanja, prepričanja in odločnost, da bo za vsako ceno naredil pravo stvar. Z ekspresivnim pogledom in subtilno gesto mu uspeva izražati intenzivne emocije tudi takrat, ko ne govori, s čimer je oblikoval skrajno življenjski in hkrati tudi zelo impresiven igralski lik.

Ni bil nominiran.