Izbrisana

Utemelljitev hrvaško: "Ocjenjivački sud posebno pohvaljuje glumicu Juditu Franković Brdar za kreiranje izuzetno kompleksnog glavnog lika predočenog velikom ekspresivnošću u filmu Izbrisana, redatelja Mihe Mazzinija."

Feature films competition.

Hrvaško: „Minimumom izražajnih sredstava prikazala je širok raspon emocija i utjelovila kompleksan lik.“

Serbian films competition programme (Serbia and Friends)

Jury statement in serbian: Zbog svog briljantnog načina pridruživanja traumatskoj i apsurdnoj istorijskoj pozadini zajedno sa borbom žene koja je odbila da ostane nevidljiva, i svojim impresivnim prikazom emocija i iskustva samohrane majke koja se suočava sa nasiljem i pritiskom svoje jake volje.

In her role as Ana, Judita Frankovid’s acting is very subtle and convincing, with an intense feeling for emotion, the film plot and the words that are spoken. Using a unique acting process, she integrates all these elements into unparalleled cinematic moments, thus revealing the entire pathos of the character to let it influence the viewer. If at first, she enters the role of Ana quite matter-of-factly, after Ana’s loss of identity she slowly transforms the character's palpability into an inward-looking being who finds herself in a desperate situation.

For the meticulous recreation of the surroundings and the atmosphere of Slovenia in 1992. From the smallest casual details to the overall capturing of the bygone times, this successful and very demanding work on the production design plays a crucial role in the authentic qualities of the film itself.

For creating a very precise and surprisingly organic musical accompaniment to the trials and tribulations of the main character in this historically difficult film. The team of composers with its achievement have undoubtedly elevated the audible experience of the film, heightening even further the emotions and the actions of the story itself.

In Erased, the vision of Sanja Džeba in costume design was more than just to research the fashion of the nineties in detail. Her achievement is an artistic expression that is not pushing to the foreground but is able to coexist with the film. Her thoughtful visual approach always remains balanced with situations and the environment, which results in the consistency of the film's costume design and contributes to the environment being non-illustrative. Her costume design provides natural support to characters' psychology and effectively works to the narrative’s advantage.