Nosorogi
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- Filmography (14)
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About
NOSOROGI is a Ljubljana-based production studio founded in 2008 by a group of young film graduates. Managed by the producer and scriptwriter Marina Gumzi, the studio specialises in the development and production of independent short and feature films, fiction and documentary, and those that blur the boundaries between these categories. It fosters and promotes engaged research and complex creative processes, with a particular commitment to young and emerging artists. Collaborating regularly with international artists and production partners, NOS
NOSOROGI is a Ljubljana-based production studio founded in 2008 by a group of young film graduates. Managed by the producer and scriptwriter Marina Gumzi, the studio specialises in the development and production of independent short and feature films, fiction and documentary, and those that blur the boundaries between these categories. It fosters and promotes engaged research and complex creative processes, with a particular commitment to young and emerging artists. Collaborating regularly with international artists and production partners, NOSOROGI strives to find diverse audiences for its films worldwide. NOSOROGI's filmography includes titles such as Common Pear, a short film by Gregor Božič (premiered at IFFR 2025), Igor Bezinović's documentary Fiume o morte! (co-production with Restart, premiere at IFFR 2025), Little Trouble Girls, the debut feature by Urška Djukić (co-production with SPOK Films, 2025), Stories from the Chestnut Woods, the debut feature by Gregor Božič (premiere at TIFF 2019), Matjaž Ivanišin's documentary Playing Men (premiere at FIDMarseille 2017).
Contacts
Filmography (14)
production (14)
distribution (4)
Awards
Relevant Awards
The FIPRESCI Film Critic Award 2025 goes to a film that focuses on caring for trees and highlights the intergenerational responsibility for the climate breakdown. Also, on the dramaturgical level the vegetables create a visual bridge between science fiction and documentary. A dystopian view filled with a feeling of loss and melancholia introduces us to a place of refuge where we can hope for repair. Here the documentary elements are put at a distance through the analysis of images. The cinematic immersion, enhanced by impressive photography and elaborate framing, leaves room for a reflection about an urgent “common fear” to which anyone can feel connected, and probably re-connected with nature.
Serbian: Obična kruška” ističe se kao kompleksna dokufikcija, koja se hvata u koštac sa klimatskom krizom. Odluka da se posmatranje naše oslabljene veze sa zemljom predstavi iz perspektive budućnosti ujedno je i upečatljiva i dirljiva, budući da podvlači važnost klimatskog delovanja i vrednost drevnog znanja. Sa svedenim, ali evokativnim vizuelnim rešenjima, izvanrednom fotografijom i scenografijom, ovaj konceptualno složen film poziva gledaoce da se zapitaju o onome šta gubimo kada presečemo vezu sa prirodom. Film Gregora Božiča je poetična i pravovremena refleksija na teme održivosti, nasleđa i povezanosti ljudi i prirode.
With the invaluable help of the Slovenian director of photography Gregor Božič, Croatian filmmaker Igor Bezinović made an utterly unique film about a brutal, bizarre event from the post-WWI era. An astounding combination of archive material and recreations, this is a living, breathing film that brings history to life in a way very few films have managed.
A new generation is awakening in an environment where one cannot survive. They use the archive to study the recent past to achieve knowledge from the previous generations. Voices from the past lead us to a poetic exploration of nature threatened by the climate catastrophe. A near-future fiction film about the loss of nature and how to navigate this reality.
Feature film competition.
Osupljiva filmska stvaritev z izjemno vizualno komponento in zaokroženostjo, ki v svojih številnih kvalitetah močno presega običajni okvir nacionalne kinematografije. Vsi elementi filmskega jezika v tej dodelani mojstrovini so uporabljeni premišljeno in subtilno, kar gledalcu omogoči izjemno emotivno in estetsko doživetje. Prepričani smo, da je ta film znanilec pomembne prelomnice za slovensko kinematografijo.
italijansko: per il dinamismo di una struttura che stimola continuamente l’attenzione, per l’ironia del meta-cinema di cui il film è permeato, e per l’uso creativo di immagini d’archivio capaci di generare un nuovo corso alla seconda parte dell’opera
Duhovit dokumentarec, ki nas pelje preko fizične do mentalne igre, dokler tudi igra sama ne izgine in v njej ostane samo pesem. Bivanjsko tesnobo, ki jo povzroči odsotnost Igre, avtor z ironično avtosamorefleksijo izkoristi, da se skupaj z njim spomnimo Igre, igranja in igrivosti.
Cine + Distribution Support Award
Extended data
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