Sara Bezovšek
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- Filmography (3)
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Biography
Sara Bezovšek (1993) is a visual artist focused on new media, experimental film and graphic design, in which she also holds an MFA from the Academy of Fine Arts and Design in Ljubljana. She has participated in numerous group and solo exhibitions, among others in Ljubljana at the Aksioma project space, Kamera in Kino Šiška, Ravnikar Gallery Space, Osmo/za, sloART, DobraVaga, P74, SCCA-Ljubljana and Ravnikar Gallery Space, online in Feral File, in Maribor at Kiblix and MFRU, in Koper at IZIS and at the Metronom gallery in Italy. SND has been show
Sara Bezovšek (1993) is a visual artist focused on new media, experimental film and graphic design, in which she also holds an MFA from the Academy of Fine Arts and Design in Ljubljana. She has participated in numerous group and solo exhibitions, among others in Ljubljana at the Aksioma project space, Kamera in Kino Šiška, Ravnikar Gallery Space, Osmo/za, sloART, DobraVaga, P74, SCCA-Ljubljana and Ravnikar Gallery Space, online in Feral File, in Maribor at Kiblix and MFRU, in Koper at IZIS and at the Metronom gallery in Italy. SND has been showcased at the online biennial The Wrong Biennale and on the online platform Do Not Research. She was the recipient of the Prešeren Award for Students in 2018 and was nominated for the OHO Young Artist Award in 2022. She received the main award at the Ljubljana Short Film Festival (FeKK) for one of her short films in 2021 and the vesna award for the best Slovenian experimental film in 2022. In 2023 she is working on a project for the research platform [permanent beta] of the Swiss gallery Fotomuseum Winterthur.
Filmography (3)
Writing (3)
Direction (3)
Production (1)
Editing (1)
Distribution (1)
Awards
important awards
Special mention goes to Sara Bezovšek’s experimental film The Future … Is Just Like You Imagined, which skilfully translates her intermedia installation into a film, testing the principle of the telephone screen on the cinema screen.
Monumentalen hommage koncu sveta v maniri Hieronymusa Boscha, ki zeitgeistovski fenomen »doomscrollanja« posrečeno pretvori v filmski jezik. S premišljeno akumulacijo podob banalnega internetnega vsakdana sestavi pretresljiv portret kolektivnega nezavednega in naslika slutnjo stvari, ki prihajajo.
For its inovative and visually remarkable approach. A gut wrentching vulcanic eruption of digital images sends the viewer deeper into the harsh reality of our contemporary world.
Extended data
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