Postaja 25

The artist continues with her main preoccupations: the relationship between a man and a woman, the irruption of the mythical into the rituals of everyday life. The video film uses the numerous potentials of electronic manipulation of the picture. The finest scenes are those of morphing (electronic transformation), where a figure from a painted canvas turns into an identical figure on the video screen, or the latter freezes into a figure on a fixed picture. The artist once again insists on the real natural environment, but deforms and thus identifies it with the artificiality of video image.