Križ

Ize and Coki, carpenter apprentices by profession, pub philosophers by nature; Mother and Son with a relationship best illustrated by the author’s words: “Wheelchair-bound Mother, Mother-bound Son” – two at first unrelated, autonomous stories, tied by a miraculous event into a high-spirited comedy of errors. The wooden statue nailed to a cross by the apprentices according to Foreman’s instructions, comes miraculously to life, only to start steering the course of events with his small ingenious interventions.